Early Saturday Night set, to be followed by live jazz.
A gathering at which folk singers entertain often with the audience joining in.
This set leans heavily on groove-based music from the 1970s onward, anchored by jazz-funk and soul threaded through with West African Afrobeat and highlife, Jamaican roots and dub, and the angular post-punk dance-funk of ESG and Liquid Liquid. Around that core it ranges widely—Giorgio Moroder's sequenced disco, Turkish psych-folk from Altın Gün, French electronic pop from Air and Stereolab, and a strand of early-'80s new wave and synth-pop (Kraftwerk, the Cure, the Police, A Flock of Seagulls)—much of it instrumental or built around a steady rhythmic pocket.
This instrumental set is anchored in vintage soul-jazz and instrumental funk—Hammond organ workouts, horn-driven grooves, and the heavy, drum-forward sound of contemporary outfits like Menahan Street Band, The Budos Band, and El Michels Affair sitting comfortably alongside originals from Grant Green, Herbie Hancock, and Eddie Harris.
Mostly a mid-century American record collection: Southern soul and R&B out of the Stax and Atlantic orbit, hard bop and organ-driven soul-jazz from the Blue Note era, and the funk that grew out of both. Around that core sit British Invasion pop, Link Wray's tremolo-heavy instrumentals, and a vein of counterculture oddity — Beefheart, the Bonzo Dog Band, the Holy Modal Rounders — that keeps the set from playing as a straight revival.