The playlist is built mostly from late-70s and 80s new wave and its neighbors. It moves from early drum-machine synth-pop and electro into a stretch of jangly American college rock, power pop, and a slight hint of ska, and later into moodier post-punk with more reverb. We’re drawing on funk, the downtown New York sound where no wave met disco, and the homemade synthesizer funk and Afrobeat of West Africa. The set ends in jazz-funk and early-'70s electric jazz.
Mostly a mid-century American record collection: Southern soul and R&B out of the Stax and Atlantic orbit, hard bop and organ-driven soul-jazz from the Blue Note era, and the funk that grew out of both. Around that core sit British Invasion pop, Link Wray's tremolo-heavy instrumentals, and a vein of counterculture oddity — Beefheart, the Bonzo Dog Band, the Holy Modal Rounders — that keeps the set from playing as a straight revival.
A seventies set anchored in Philly soul, disco, and jazz-funk... Blue Note and CTI-adjacent instrumentals, string-laden Sigma-sound productions, and extended groove workouts that prize the rhythm section over the hook. Running alongside it is a nervier rock thread of pub rock, early new wave, and CBGB-era punk, plus a handful of ragged blues-rock and singer-songwriter cuts that share the same loose, live-band feel.
The playlist is built mostly from late-70s and 80s new wave and its neighbors. It moves from early drum-machine synth-pop and electro into a stretch of jangly American college rock, power pop, and a slight hint of ska, and later into moodier post-punk with more reverb. We’re drawing on funk, the downtown New York sound where no wave met disco, and the homemade synthesizer funk and Afrobeat of West Africa. The set ends in jazz-funk and early-'70s electric jazz.
A set built on late-'60s and '70s funk, soul and soul-jazz, with James Brown's band, the Meters, Sly Stone and Wilson Pickett next to organ- and vibes-led jazz-funk from Eddie Harris, Donald Byrd, Roy Ayers and Dr. Lonnie Smith. Contemporary revivalists such as Menahan Street Band, El Michels Affair, Lee Fields and Khruangbin fit easily beside the originals because they use the same dry drums, warm bass and analog sound. The set also pulls in Ethiopian groove, Anatolian psych-rock, Nigerian synth-funk, Jamaican reggae and dub, Chicago gospel, and orchestrated '60s pop from Gainsbourg, Hazlewood and the Kinks.